Artwork stating 'Education Destroys Barriers', 'We Demand Treatment', and 'I Need A Chance'

Search Results

You searched for: -

There are 92 results  for your search.  View and Refine Your Search Terms

  • An Initiative to Improve Street Safety through Public Art

    Street murals and innovative safety features have transformed a dangerous intersection. The Kansas City project not only improved the aesthetic, it also decreased noise pollution, pedestrian crossing distances, and vehicle speeds by 45 percent.

    Read More

  • For Rohingya Survivors, Art Bears Witness

    Artolution provides art education and supplies to Rohingya Survivors in Bangladesh refugee camps, all of whom experienced severe trauma, to create life-affirming and informative murals. Topics range from safe hygiene practices to the dangers of domestic violence. The group trains artists to become muralists and teachers and pays them an annual stipend. The murals help artists heal, provide important public health information to the community, and amplify the cultural traditions they had to hide for so long. The nearly 200 murals are on almost all surfaces of the refugee camp from latrines to “monsoon walls.”

    Read More

  • For People Who Experience Homelessness, Art Catalyzes Economic Mobility and Rewrites the Narrative

    Arts From The Streets gives artists living with homelessness a path to economic mobility and housing stability by offering ways to make and sell their art. An annual show can bring in $100,000 in sales, 95% of which goes to the artists. The organization provides studio space, online marketing, and other sales channels. It's one of three programs or communities serving artists who are houseless profiled in this story. The others are MudGirls, an Atlantic City ceramic arts studio, and the thriving arts culture in Los Angeles' Skid Row neighborhood, which focuses on personal growth more than income.

    Read More

  • Minneapolis Is Funding Artists' Community Healing Projects With Police Dollars

    Through its Creative CityMaking program, the city of Minneapolis pays artists to use their skills to promote healing and community-building in projects they design on their own. The program had existed for seven years when the George Floyd case roiled Minneapolis. The city council carved $150,000 out of the police budget to add to its artist-led community healing work. One of the 10 most recent grantees, Rising From the Ashes, produced a series of online gatherings for local queer artists and artists of color, concluding with an online exhibit of art made during the 2020 uprising.

    Read More

  • St. Louisans Mapped Monuments of Their City, and Uncovered Surprising Connections

    When the Public Iconographies project asked people in St. Louis "how would you map the monuments of St. Louis?", it got 750 hand-drawn maps telling stories of often-overlooked sites throughout the city. By letting people from the community determine what is important, the project ended up with a data-filled report channeling freeform responses. They included the spot where a Ferguson police officer killed Michael Brown, the site of a 1917 race riot, and Cahokia Mounds, a pre-Columbian site in the city. The project formed a counterpoint to efforts to remove problematic symbols, like a Columbus statue.

    Read More

  • These gardens ask visitors to reconsider solitary confinement

    Solitary Gardens is an art project that protests prisons' solitary confinement conditions. Incarcerated people connect with volunteers on the outside who plant flowers, vegetables, or herbs in beds matching the tiny dimensions of the prison cell that confined Herman Wallace for a record 41 years in Louisiana. The people inside prison imagine their garden, often with memory triggers of what they have lost, and their gardener carries out their plan. The idea is to make a place for grief, healing, public service, and public education, as the gardens in four cities teach about solitary confinement.

    Read More

  • Year of racial awakening may topple Richmond's last Confederate statue

    Richmond’s Robert E. Lee statue has become an example of American protest art as protesters have covered it in graffiti demanding racial justice and surrounded it with basketball hoops, gardens, tents, lawn chairs, and a grill for community gatherings. The site has become a symbol, a place of local pilgrimage, to collectively create a public space of belonging and protest racial injustices and systemic racism. The Lee statue is likely to be taken down soon, as all other confederate statues on "monument row" have been, because a judge recently struck down the legal challenges to the state’s plan to remove it.

    Read More

  • Experiential Museums Find New Ways to Sell Fun Even With Covid Restrictions

    Interactive museums and venues are shifting their exhibits during the coronavirus pandemic to better attract patrons while still abiding by safety precautions. Although it has been a struggle in some cases, and all venues are at restricted capacities, several museums in New York have been able to still sell out with executive saying "some revenue was better than none."

    Read More

  • Drag Queens and Restaurateurs: An Unlikely Partnership Amid the Pandemic

    In New York, restaurateurs who have struggled to stay open amid the coronavirus pandemic are partnering with drag performers who have lost work due to the pandemic to offer patrons a new dining experience while also trying to increase business. The dining performances are offered outdoors and some restaurant owners are hoping to continue the partnership even after COVID-19 restrictions have been lifted.

    Read More

  • Black Artists Find Ways to Make Their Voices Heard in Portland

    A burst of creativity is helping Portland confront its racist histories. From murals appearing on boarded-up buildings, protest art on exhibit at art centers, and artists gathering downtown to display their work depicting clashes between protestors and federal troops, new opportunities have been created for the city's Black artists. Community groups are also connecting artists with affordable housing resources and memorializing displaced Black communities using murals, photography, and oral histories. While a good start, more work is needed to bring about structural changes.

    Read More