Artwork stating 'Education Destroys Barriers', 'We Demand Treatment', and 'I Need A Chance'

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  • In Australia, drought dried up farm jobs — so government became the employer

    As climate change has led to more frequent droughts and volatile weather in Australia, climate-dependent jobs like farming are increasingly imperiled. In response, the Australian state government of Victoria launched its Drought Employment Program, which puts underemployed farm workers back to work on environmental or cultural projects of high priority for the community. These projects, like land regeneration, also help farm workers develop new skills.

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  • Art museum offers healing to families hurt by addiction

    The Currier Museum of Art began offering the "Art of Hope" program to families living with addiction. In group sessions, a docent guides discussion around works of art in the collection and then everyone participates in a hands on activity. The sessions build community among people living with addiction and create a safe space to reflect.

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  • Reimagining Norman Rockwell's America

    In the midst of a seemingly increasingly divided political and racial landscape, some artists of color are pushing back to create art that represents their own non-White communities. Some artists have chosen to do this by recreating Norman Rockwell’s paintings, which in the earlier part of his career mainly showcased White people. “The image haunted me because of the world we live in,” the artist said, referring to today’s divisive political climate. “I wanted to imagine what it would look like today.”

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  • This Philadelphia museum hired Iraqi and Syrian refugees as tour guides for its Middle East gallery

    The University of Pennsylvania Museum of Archeology and Anthropology has hired Syrian and Iraqi refugees living in Philadelphia to be docents for exhibitions of Syrian and Iraqi antiquities. The docents are able to share their memories of the cities relevant to these objects and answer with authority questions about the region or the objects place in a western museum.

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  • Alternative museum tours explore colonial loot, biased narratives

    Uncomfortable art tours, long-term loans, and code of conducts, are all methods Europeans museums are using to confront the racist history behind paintings and artifacts in their exhibitions. They’re also trying to confront the unjust methods in which some artifacts have been taken from non-European countries. “While museums continue to argue that they are neutral spaces, the fact is that they are not. There is always one side of the story that has been privileged over the other in these spaces, and we need to be more honest and open about that.”

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  • This Street Artist is Using A.R. to Challenge What Graffiti Can Be

    Through augmented reality (AR) effects, street artists have created surprising, novel experiences in museums and in public. Using an app, viewers can see murals in motion, art floating in the air, and new ‘additions’ to a museums holdings.

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  • A New Orleans Museum Is Now Mobile, Transforming How People See Art

    The New Orleans Museum of Art is taking its holdings out of the museum and into public space through the use of a custom-built trailer. Called NOMA+, the trailer’s walls fold out creating walkways while interior walls create an exhibition space for an intimate, self-contained way for the public to engage with the art.

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  • Conserve the Sound, an Online Museum Preserves the Sounds of Past Technologies–from Typewriters, Electric Shavers and Cassette Recorders, to Cameras & Classic Nintendo

    An online German museum is collecting and creating access to the sounds of obsolete technology such as portable cassette players, modems, and rotary phones. Through this collection, the museum preserves a tangible physical history that would be otherwise lost.

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  • Uffizi Gallery's Vast Sculpture Collection Goes Online in Interactive 3D Scans

    A partnership between Venice’s Uffizi Gallery and Indiana University is providing new access to the Uffizi’s collection of ancient sculpture. The Uffizi Digitization Project provides a web interface for visitors to see the work in interactive three-dimension scans.

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  • What's Behind Buffalo's Public Art Boom?

    Buffalo’s Albright-Knox Art Gallery created the position of public art curator in 2014. Since then, a combination of public and private funding has created site-specific public art across the city bringing prominent artists to Buffalo as well as involving local artists and community members.

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