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How Orange County's Visual Arts World is Coping with the Coronavirus

Richard Chang

May 22, 2020 |

Voice of OC |

Text |

1500-3000 Words

Response Location: United States, California

Some arts organizations in Orange County, CA have found creative ways to deal with Covid-19 closures by bringing their collections online, creating digital programming, and reaching out to new audiences. For example, the Muckenthaler Cultural Center hands out weekly art kits to kids and seniors and reports donation support from an entirely new group of donors. Others have taken the opportunity to create new content and bring their collections online to engage with those stuck at home of all ages. Not all have been able to withstand the Covid-related closures and many art galleries have closed down for good.

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Kansas City's WWI Museum is avoiding layoffs by giving employees thousands of pages from its archives to digitize

Alisha Ebrahimji

April 01, 2020 |

CNN |

Text |

Under 800 Words

Response Location: United States, Kansas

By assigning employees to digitization projects, the National WWI Museum and Memorial in Kansas City, Missouri, continues to operate even while day-to-day visitors stay home. To prevent staff from losing their jobs, the Museum has assigned teams to transcribe documents and letters. By shifting their priority, from interacting with visitors to processing collections, the Museum is able to make of its materials accessible to the public and researchers online.

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How to enjoy a new art gallery – from your living room

Steve Chiotakis

March 26, 2020 |

KCRW |

Radio |

5-15 Minutes

Response Location: United States, Los Angeles, California

In the age of social distancing due to COVID-19, Los Angeles galleries and museums are creating virtual experiences, adapting their exhibitions for people to enjoy via the internet. In one example, the Museum of Contemporary Art showcases one offering per day, like a movie night, to keep their audiences engaged.

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When Coronavirus Closes Your Lab, Can Science Go On?

The New York Times Editorial Board

March 23, 2020 |

The New York Times |

Text |

1500-3000 Words

Response Location: United States, Cambridge, Massachusetts

For many jobs across the country, working from home is a fairly easy adaptation to cope with social distancing measures. But for many scientists who work in laboratories with ongoing research, a work from home solution does not quite fit. Labs and universities are finding ways to adapt and prioritize which experiments to put on hold.

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Art Galleries Respond to Virus Outbreak With Online Viewing Rooms

Robin Pogrebin

March 16, 2020 |

The New York Times |

Text |

800-1500 Words

Response Location: United States

Art galleries are pivoting their sales to online platforms due to closures from the coronavirus pandemic. In the past, similar versions of virtual viewing rooms have resulted in significant sales for some galleries, despite the limitations of not viewing the artwork in person. While this transition is made harder for smaller galleries because of the cost of implementation, some are experimenting with smaller-scale virtual performances or online stores.

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In a brilliant move, Penn Museum hires refugees as guides to exhibits from their homelands

Annie Reneau

February 19, 2020 |

Upworthy |

Text |

Under 800 Words

Response Location: United States, Philadelphia, Pennsylvania

The Penn Museum in Philadelphia not only hires museum docents from the regions being showcased, but they also hire refugees and immigrants. As a result attendance has increased with some people coming expressly for that, and other museums have begun following suit.

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More Seattleites are housing homeless people in their backyards, but it's hard to find the right fit

Scott Greenstone

November 18, 2019 |

The Seattle Times |

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800-1500 Words

Response Location: United States, Seattle, Washington

In Seattle, the BLOCK project started two years ago to build houses for those experiencing homelessness in backyards. While the project has slow-going - with only 9 matches between families and an unhoused person completed - that's in part because the non-profit is incredibly deliberate about its process in recognition of some controversy the idea has recieved.

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Some building works threaten Turkish antiquities. Others save them

The Economist

November 14, 2019 |

The Economist |

Text |

800-1500 Words

Response Location: Turkey, Antakya

After discovering historic artifacts on land preparing to become a hotel in Antakya, Turkey, owners chose to develop a combined hotel and history museum, a rare act of collaboration between preservationists and developers. The developers, who incorporated ancient relics like a bathhouse and the world's largest mosaic floor, work consciously to preserve and memorialize the land they are building on to ensure culture significance is not lost among new developments.

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Displaying, not Hiding, the Reality of Slave Labor in Art

Alina Tugend

October 23, 2019 |

The New York Times |

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800-1500 Words

Response Location: United States, Norfolk, Virginia

Coming to terms with the past requires reexamining the way we represent both history and art. The Chrysler Museum in Norfolk, VA, is on the forefront of correcting the absence of enslaved craftsmen in representations of art. The museum’s exhibit on the architectural work at Thomas Jefferson’s Monticello home presents a fuller story by illuminating the presence and work of enslaved laborers.

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How Rapid-Response Exhibits Are Changing the Way Museums Engage Their Communities

Elizabeth Pandolfi

May 15, 2019 |

Next City |

Text |

800-1500 Words

Response Location: United States, Memphis, Tennessee

Creating and deploying exhibitions in response to real-time events can allow museums to play a larger role in community engagement and education. By developing so-called rapid-response exhibits, museums can respond more effectively to contemporary issues. The exhibit at the National Civil Rights Museum in Memphis, I AM A CHILD, employs this approach to the crisis of human rights surrounding US child separation policies for Immigration and Customs, while the K(NO)W JUSTICE, K(NO)W PEACE exhibit focuses on responses to police violence in Charlottesville, North Carolina.

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